Monday, March 19, 2012

Costume Party: Pretending To Be A Peacock?


The peacock is a symbol of immortality and renewal and has historical associations with Christianity and Easter. Everyone loves the beauty and the neon-like colours when different light catches peacock feathers. Whether you are superstitious, love the feathers as decoration, or whether you collect peacock memorabilia or own peacocks this range of peacock gifts is a certain delight. 

Pretending To Be A Peacock : a beautiful art nouveau reproduction depicting a beautiful woman striking a vogue pose. Dressed in vintage costume the woman attire is completed with a headdress and skirt of peacock feathers. The peacock blue and peacock green are a bold and bright contrast to the black background.

Pretending To Be A Peacock: 30cm x 30cm acrylic painting completed 13 November 2009. Painted on 300gsm acrylic paper. The original is framed and available for sale.



Check out the full range of gifts available at zazzle for Pretending To Be A Peacock
         

Check out the full range of gifts available at zazzle for Pretending To Be A Peacock
  
  
   


Pretending to be a Peacock (after Bergey) by taiche 
Click the links to see all of Female Contemporary Art’s 

Why not take a look at taiche’s extensive portfolio and check what other original gifts taiche has to off


Hey Now - Girls Just Wanna Have Fun printBelly Dancer printPretending To Be A Peacock printLa Paree Stories printThe Art of Belly Dance printD.I.S.C.O. in Aubergine and Teal printD.I.S.C.O. In Brown and Blue printArt Nouveau Bellydance (Square) print

   
  
  




La Paree Stories by taiche 

Earle K. Bergey (August 26, 1901 – 1952) was an American illustrator who painted cover art for a wide diversity of magazines and paperback books. Today Bergey is best recognized for creating the iconic cover of Gentlemen Prefer Blondes for Popular Library at the height of his career in 1948.
Born in Philadelphia, Pennsylvania, Bergey attended Pennsylvania Academy of Fine Arts from 1921 to 1926. He initially went to work in the art department of the Philadelphia’s Public Ledger, and he drew the comic strip Deb Days in 1927. Early in his career, Bergey contributed many covers to the pulp magazines of publisher Fiction House. By the mid 1930s, Bergey made a home and studio in Bucks County, Pennsylvania, and he married in 1935. Many of his paperbacks are now cult classics, some featuring hidden self-portraits. Bergey died suddenly in 1952 in a doctor’s office with family at his side.
The cover of La Paree Stories (1935) (adapted from the original ‘Pretty as A Peacock) is in the Public Domain due to failure to comply with required formalities (ie. 1923 through 1977 published without a copyright notice). 

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